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SDG
When peace, like a river, attendeth my way. It is well with my soul. 't zij vreugde mijn deel is, (Joh. de Heer 264)
SDG
1:01 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 1 1 6 100%
Tenor/Bass Bass 14 1 2 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 1 1 6 100%
Tenor/Bass Bass 14 1 2 5 95%
 
191. Jesu, Jesu, du bist mein. Schemelli (No. 34), J.S. Bach, BWV 357.
SDG
1:02 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 3 6 100%
T B Bass 19 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 3 6 100%
T B Bass 19 0 5 6 100%
 
O boundless salvation, William Booth, Founder's hymn, My Jesus I love Thee, John Ellis.
SDG
1:15 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 0 6 100%
T B Bass 12 1 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 0 6 100%
T B Bass 12 1 1 6 100%
 
All the way my savior leads me. Al de weg leidt mij mijn Heiland, (Joh. de Heer 5)
SDG
1:13 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 4 2 6 100%
Teron/Bass Bass 12 0 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 4 2 6 100%
Teron/Bass Bass 12 0 2 6 100%
 
Silent Night. Tikhaya Noch. Тихая ночь. Franz Gruber. Russian like version with Basso Profundo. Arrangement: Gertim (SDG)
SDG
1:25 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 0 6 100%
Tenor Treble 10 0 0 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 0 6 100%
Tenor Treble 10 0 0 6 100%
Tenor/Bass Bass 11 0 0 6 100%
Bass Bass 3 0 0 6 50%
 
Pseaume 1, Psalm 1, Part 1, cantus by Soprano, Sweelinck. SwWV.1.
SDG
1:25 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus 11 0 2 5 100%
Bassus 13 0 3 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus 11 0 2 5 100%
Bassus 13 0 3 6 100%
Cantus Treble 8 0 0 2 100%
Tenor 12 0 2 7 100%
 
Come to the Savior, make no delay, George Frederick Root.
SDG
1:29 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 7 100%
T B Bass 15 0 3 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 13 0 2 7 100%
T B Bass 15 0 3 7 100%
 
Libera me, Domine, de morte aeterna. Gabriel Fauré.
SDG
1:09 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 26 7 3 100%
Bass 16 7 3 1 100%
Baryton Bass 9 0 1 6 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 26 7 3 100%
Bass 16 7 3 1 100%
Baryton Bass 9 0 1 6 91%
 
93. Es steh'n vor Gottes Throne, BWV 309
SDG
1:18 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 4 5 100%
Tenor/Bass Bass 19 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 4 5 100%
Tenor/Bass Bass 19 0 5 6 100%
 
Pseaume 1, Psalm 1, Part 4, cantus by Basso, Sweelinck.
SDG
1:28 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus 13 0 2 6 100%
Soprano Treble 14 0 2 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus 13 0 2 6 100%
Soprano Treble 14 0 2 6 100%
Cantus 8 0 0 2 93%
Tenore 11 0 1 6 93%